• Syntrofi [σύντροφοι] performative lunches – research\social design 2017

    Syntrofi [σύντροφοι] performative lunches

    Master visual arts - Autonomous design

    Syntrofi: Greek compound word coming from feed [trofi] + together [syn] and means companions,comrades,lovers...

    Syntrofi is a series of performative Lunches in which stories of exclusion within art schools are served, processed and digested. Taking on a perspective of the vulnerable observer who is being both an artist in and a researcher of the educational institution, Syntrofi examines the (missed) potential of school environments to facilitate practices of commoning and inclusion. The project draws its material from collective processes, classrooms and kitchens, students, teachers, maintenance personnel and administrators, as well as from those who, for one reason or another, ended up outside art school's walls. Throughout the performances, we share our stories, not as individuals but as cases that bring up interesting dilemmas and reflections about the world and art education today.
    Assemblism is an urgent response to the need for new social infrastructures . The Syntrofi project crosses through artistic and social design practices, where the observer is the part taker, the public is the performer, the artistic is the political and individual cases become a collective concern. In the Syntrofi table, public is invited to chew upon stories served by the performers and is welcome to have a conversation on each of them. The public is also asked to share their own stories, experiences and thoughts and research concerns about schools in nowadays societies.
    Initiative, Concept: Elli Vassalou
    Realization, Performance: Hazal Arda, Bilal Kamilla Arnout, Ritam Hazarika, Elli Vassalou
    mentors: Adva Zakai, An Van Dienderen
    Supported by: SOL, KASK, HOGENT, BUDA art center, 123 Logements
    MAP expo, KASK, Gent February 2017.
    M55 Art residence, Athens, Greece, March 2017. KASK,  Zwarte Zaal - graduation expo, Gent June 2017.
    Nominated for the Horlait-Daspens price.
    Published on Metropolis M Magazine, August 2017